Referencing the ties between ceramics and photography, both utilitarian inventions that became culture carriers, the form of the vase is used as a metaphor for the feminine. The medium is the message; the vase, the vessel. In Precession of the Feminine, images of women from the museum's archive were zoomed in until the original image became unreadable but the printing technique became visible. They were then fused with ceramic vases in 3D simulations alluding to Baudrillard's precession of simulacra, where meaning orbits according to predetermined patterns and models of significance.
